The systemic corruption involving the State and the private sector since 2003 is a tragedy whose consequences will haunt Brazilians for years to come. This tragedy is linked to others, like the colonized complex, a Brazilian neuroticism characterized by that blaming everything bad or wrong in Brazil on the Portuguese colonization. The very existence of Operation Car Wash (Operação Lava Jato) shows a change in mentality from a fixed mind-set of blaming others to an ethics of responsibility. Because of these two polarized views, Brazilian society is fighting a war of ideas, and the resulting lack of dialogue is a tragedy that could turn Brazil into a failing state.
During the presidential election campaigns of 2018 the Brazilian society became polarized between the right and the left. This polarization is a symptom of a problem even more serious, the country’s social fragmentation caused by the proliferation of identity politics groups. My two essays published in this edition cover these topics. The first essay deals with the Brazilian identity and the description of the Brazilian mind-set. The second essay covers the polarization of Brazilian society, the prolonged hegemony of the left and the emergence of the right. Both papers point out the problem of the lack of dialogue, without which Brazil will not be able to repair its fractures, find its way, and move on to better times.
As if the above tragedies were not enough, Brazil suffered another gigantic tragedy in the fire of the National Museum, in Rio de Janeiro, which occurred on the night of the 3rd of September, 2018. Founded in 1818 by D. João VI, Brazil’s National Museum housed more than 20 million items, including historical documents, botanical, zoological and mineralogical collections, ancient Greek and Roman artefacts, the largest Egyptian collection in Latin America and the oldest human fossil discovered in the present Brazilian territory, named ‘Luzia’. In the aftermath of the fire, Alexandre Garcia, a 78 years old journalist and political broadcaster, recorded a scathing lamentation of this tragedy, whose transcription is made available in this edition of PortVitoria. Also provided is an in-depth account of the tragedy of the loss of the National Museum in the article by João José Fermi.
Reflecting on the tragedies of Brazil reminded me of some English idiomatic phrases linked to good administration, such as ‘Not on my watch’ and ‘The buck stops here’, and the result is an English lesson written in the form of an article, which I hope some readers of PortVitoria will find useful.
The only review in this issue is of Jordan Peterson’s book 12 Rules for Life: An Antidote to Chaos (2018). Peterson is a Canadian psychologist and professor at the University of Toronto who gained notoriety in Canada in 2017 for his opposition to an amendment to the Canadian Human Rights Act (Bill C-16) adding ‘gender identity or expression’ to the list of prohibited grounds of discrimination, arguing that it would interfere with the right of free speech. Peterson’s 12 Rules for Life appeared in January 2018 and in just a few weeks became a bestseller in all Anglophone countries. The Portuguese edition appeared later in May, and the book appears to be selling well in Brazil. Peterson attributes the success of his book to the fact that it filled a much needed void in the market, but it is obvious that his internet presence, in e-videos and podcasts, also played a substantial role. I confess that I became a fan of Peterson after watching a couple of his YouTube videos, having bought his book afterwards. Peterson’s ideas describe many of the problems that affect Western civilization and I am certain that they can help Brazilians sort out their cognitive dissonance.
Post Scriptum. Following the publication of this editorial, I read in La Nacion of a video recording of Brazil’s National Museum created under Google’s Arts & Culture programme. I encourage you to visit the Google site: ‘Inside Brazil’s Museu Nacional. Rediscover the collection before the fire in 2018’. Thank you Google!
Note. The above is the current editorial of PortVitoria, a cultural magazine for Portuguese and Spanish speakers.